A modest new 12-stop, single-manual-and-pedal tracker organ for a small rural parish replacing a failed reed organ — proof that a real pipe organ doesn’t require a large budget or a large building.
Opus 26 — The Fenwick Vale Collection
A small new 8-stop chamber organ built for a private collector’s music room — a compact two-manual instrument scaled and voiced for close, intimate listening rather than a large room.
Opus 24 — The Aldermere Concert Hall
A new 58-stop, four-manual concert organ built for solo recital and orchestral collaboration work, with electro-pneumatic action chosen specifically to let the console be positioned independently of the pipework for conductor sightlines.
Opus 21 — Trinity Lutheran Church, Kestrel Hollow
A new 24-stop mechanical-action organ for a mid-sized Lutheran parish, designed from the outset against the room’s own reverberant, mostly-wood interior rather than a stock two-manual specification.